The five intersecting stories of Into the Mirror celebrate identity and affirm the choices of its characters. At the play’s close, a mirror, draped in a dark cloth at its opening and used by various characters to reflect their image throughout, is left uncovered as characters discover that they need not be afraid of what they see.
With the clock ticking closer to start time our search for our Sydney Independent Theatre Company’s venue became more frantic. But this inauspicious start was quickly forgotten.
Tarantula picks up the story of Lola Montez on July 8, 1856, when returning to San Francisco from an exhausting and scandal-filled Australian tour, Lola’s lover, Noel Folland, disappeared from the deck of the Jane A. Falkenburg and was never seen again, presumed drowned. Using the conceit of a play within a play, Tarantula (premiered here at the King Street Theatre but first read as part of the Griffin Searchlight program) traces the story of Lola’s life by having a contemporary actress, Gina, making a play about her hero.
Have you got PMA? Carlotta, one of nine characters in Fearless, has PMA, and after a suitable suspense, sings an explanation [see below].
Redfern resident, Alana Valentine, has won the top award for best new play about science and technology in the 5th STAGE international script competition. Her play entitled Ear to the Edge of Time was selected from over 200 entries from 19 different countries.
Coranderrk: We Will Show The Country is verbatim-style theatre that tells the story of the men and women of the Coranderrk Aboriginal Reserve who took on the Board for the Protection of Aborigines in Victoria.