The opening sequence quickly establishes the period as loquacious Mari is having the phone connected, and her lubricious manner with the electrician (Kip Chapman) quickly establishes her blowsy…
The colourful Counting and Cracking is completely absorbing from beginning to end.
Welcome to ASC’s sixteenth outdoor annual production of Kenneth Graham’s children’s classic, The Wind in the Willows.
Dubboo reflects upon the complex life of Nunukul/Munaldjali man, David Page, while celebrating his creativity as composer, musician, actor, singer and drag queen.
While the play is darkly pessimistic, under Judy Davis’s direction Strindberg’s dismemberment of a marriage relationship is ferociously entertaining.
Le Petit Theatre’s production of an innovative version of Aristophanes’ Lysistrata cleverly underlines the relevance of the original play to our own times.
The Dance of Death, translated by May-Brit Akerholt, is one of August Strindberg’s most produced plays, although at the time of its writing, 1900, a Swedish censor thought it too “disagreeable” to be performed.
There is still stigma and confusion around the topic of mental illness and Mental Health Month held in October provides an opportunity to raise awareness of, and encourage support for, those experiencing mental health issues. This year, as last year, the theme for MHM is Share the Journey, and Minding Madness asks us to share the narratives of adults who as children lived with parental mental illness.
A moving story of living with death and the importance of friendship, TickTickBoom won the Silver Gull Award from Sydney-based company subtlenuance in 2015.
In Ear to the Edge of Time Alana Valentine creates a mileau in the complex world of astrophysics, and deploys it to investigate the multi-layered nature of human endeavour.